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The guitar is a very special instrument for me because I am more intimate with it than any other and I love to fully explore the techniques and range of the instrument. I have had the pleasure of working with many excellent guitarists including: Matt Borgmann, Graham Sims, Kevin Byrne and Gary Ryan across a range of styles and is a founder member of The Guitar Circle, a community dedicated to promoting guitar music.

My music derives from a classical training distilled with other musical influences from my past including: folk, progressive rock, punk, new wave and jazz . I aim to create strong melodic and rhythmic frameworks in tension with complex harmonic explorations and experimental approaches. A strong narrative often defines my works. Distinctive right hand patters derive from influences like Davy Graham, Bert Jansch, John Martyn and Stephan Grossman gained while I was playing on the London pub folk scene in the mid seventies. Around that time I also began 3 years studying classical guitar and music theory at The Watford School of Music under Tom Hartman and Carl Shavitz. 

All my early composing energies were put into writing for various guitar based bands until, frustrated by the direction of popular music I rediscovered solo guitar. The influence of this period remains and is evidenced by clear melodic phrases and rhythms.

In 2001 I started an important collaboration with Graham Sims. This culminated in the world premiere in November 2001 at The Michael Tippet Centre of two major works Soundtrack 1 and The Fairground. The works were well received: "Substantial pieces... with many effective ideas" (Bath Chronicle). Graham went on to record both pieces on "The Fairground".

A few years back I began a major collaboration with Graham Sims and Kevin Byrne. This involved the composition of the Fanfarria suite. Fanfarria II was premiered by Graham to great reviews at the Assembly Rooms in Bath. click to see the video of this concert In 2006 the more expansive duet Fanfarria I and prelude were premiered by Graham and Kevin on their UK tour including the Tippet Centre and the Bolivar Hall, London. With one and a half years in the writing, help and motivation came from Hayley Savage. You can hear the results and view the scores below. 

see full guitar biography

 

Fanfarria Prelude prelude - click to play extract

performers Graham Sims and Kevin Byrne
instruments guitar
composer Lawrence Reed © 2001
file size 2.4 mb  
file type mp3
duration 2 min 39 secs

A demanding guitar duet

download complete
score - pdf 120Kb

   

Fanfarria 1 fanfarria I - click to play extract

performers Graham Sims and Kevin Byrne
instruments guitar
composer Lawrence Reed © 2001
file size 7.4 mb  
file type mp3
duration 8 min 03 secs

A demanding guitar duet

download complete
score - pdf 430Kb

 

Soundtrack 1 1 soundtrack I - click to play extract

performers Graham Sims
instruments guitar
composer Lawrence Reed © 2002
file size 3.44 mb  
file type mp3
duration 3 min 45 secs

soundtrack 1 is a collection of short pieces suitable for intermediate to advanced players inspired by an old 1960s gangster movie

It was premiered by Graham Sims in 2002 at the Michael Tippet Centre in Bath

Soundtrack 1

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score - pdf 2.87Mb
(hand written)

 

The Sting the sting - click to play extract

performers Matt Borgmann
instruments guitar
composer Lawrence Reed © 2002
file size 3 mb  
file type mp3
duration 3 min 15 secs

This piece was developed from one of the movements of soundtrack I

It was premiered by Matt Borgmann at the Assembly Rooms Bath in 2005

The Sting

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score - pdf 372Kb
(hand written)

 

Fanfarria II fanfarria II - click to play extract

performers Graham Sims
instruments guitar
composer Lawrence Reed © 2003
file size 5.0 mb  
file type mp3
duration 5 min 27 secs

fanfarria II is part of a group of three pieces – the others fanfarria I and fanfarria III being a duet and trio respectively.

The piece breaks down into two main themes, one representing procession followed by a loud "fanfare" representing arrival. Both appear twice. Traditionally fanfares can be boastful and even pompous- leaving little room for holding back!

Fanfarria’s dynamics and vitality make it a great piece to open or close a performance.
This piece also makes a good study for pupils wishing to improve their reading of higher positions including the less commonly used ones.

It was commissioned to mark the launch of The Guitar Circle, an online community of composers and performers www.theguitarcircle.com

fanfarria II received its world premiere in the Assembly Rooms in Bath in March 2003.

download complete
score - pdf 181Kb

 

sicilian study 4 - score only

performers n/a
instruments guitar
composer Lawrence Reed © 2009
file size n/a  
file type n/a
duration n/a

One of a series of short studies inspired by 12 tone methodology.

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score - pdf 48Kb

 

the steam age - score only

performers n/a
instruments guitar
composer Lawrence Reed © 2009
file size n/a  
file type n/a
duration n/a

A piece looking for a home! Reduced down from an orchestral piece. Quite demanding but I would love to work with someone to realise it.

download complete
score - pdf 278Kb

   

Bubbly Blues bubbly blues

performers Lawrence Reed
instruments guitar
composer Lawrence Reed © 2005
file size 2.83 mb  
file type mp3
duration 3 min 6 secs